<産業資料/調査レポートの題名> 2022年6月17日

世界の音響補強市場:製品種類別(マイク、プロ用スピーカー、オーディオミキサー、パワーアンプ)、フォーマット別(デジタル、アナログ)、エンドユーザー別(企業、教育、大規模会場&イベント、ホスピタリティ)、地域別


◆英文タイトル:Sound Reinforcement Market by Product Type (Microphones, Professional Speakers, Audio Mixers, Power Amplifiers), Format (Digital, Analog), End User (Corporate, Education, Large Venue & Events, Hospitality), Geography - Global Forecast to 2024

1 Introduction
1.1. Objectives of the Study
1.2. Market Definition
1.3. Study Scope
1.3.1. Market Covered
1.3.2. Years Considered for the Study
1.4. Currency
1.5. Limitations
1.6. Stakeholders
2 Research Methodology
2.1. Research Data
2.1.1. Secondary Data
2.1.1.1. Key data from secondary sources
2.1.2. Primary data
2.1.2.1. Key data from primary sources
2.1.2.2. Key industry insights
2.1.2.3. Breakdown of primary interviews
2.2. Market Size Estimation
2.2.1. Bottom-up Approach
2.2.2. Top-down Approach
2.3. Market Breakdown and Data Triangulation
2.4. Research Assumptions
3 Executive Summary
4 Premium Insights
5 Market Overview
5.1. Introduction
5.2. Market Dynamics
5.2.1. Drivers
5.2.1.1. Growing incorporation of IoT and audio-visual technologies into professional audio-video devices
5.2.1.2. Increasing demand for sound reinforcement systems from corporate, educational institutions, and government departments
5.2.2. Restraints
5.2.2.1. Strict government norms for regulating frequency range of wireless devices
5.2.3. Opportunities
5.2.3.1. Increasing number of concerts and live performances being conducted worldwide
5.2.3.2. Growing number of sports events and tournaments
5.2.4. Challenges
5.2.4.1. Acoustical challenges related to improper placement of louDSPeakers
6 Sound Reinforcement Market, by Product Type
6.1. Microphones
6.2. Professional Speakers
6.3. Audio Sound Mixers
6.4. Audio Signal Processors
6.5. Power Amplifiers
6.6. Others (Cables and Audio Networking)
7 Sound Reinforcement Market, by Format
7.1 Digital
7.2 Analog
8 Sound Reinforcement Market, by End User
8.1. Corporate
8.2. Large Venues & Events
8.3. Educational Institutions
8.4. Government
8.5. Studio & Broadcasting
8.6. Hospitality
8.7. Others
9 Geographic Analysis
9.1. Introduction
9.2. North America
9.2.1. US
9.2.2. Canada
9.2.3. Mexico
9.3. Europe
9.3.1. Germany
9.3.2. France
9.3.3. UK
9.3.4. Italy
9.3.5. Rest of Europe
9.4. APAC
9.4.1. China
9.4.2. Japan
9.4.3. Korea
9.4.4. Rest of APAC
9.5. RoW
9.5.1. Middle East & Africa
9.5.2. South America
10 Competitive Landscape
10.1. Introduction
10.2. Market Ranking Analysis: Sound Reinforcement Market
10.3. Competitive Leadership Mapping
10.3.1. Visionary Leaders
10.3.2. Dynamic Differentiators
10.3.3. Innovators
10.3.4. Emerging Companies
10.4. Competitive Situations and Trends
10.4.1. Product Launches
10.4.2. Partnerships and Collaborations
10.4.3. Others
11 Company Profile
11.1. Key players
11.1.1. Audio-Technica (Japan)
11.1.2. Bose (US)
11.1.3. HARMAN (US)
11.1.4. MUSIC Group (Philippines)
11.1.5. SENNHEISER (Germany)
11.1.6. SHURE (US)
11.1.7. Sony (Japan)
11.1.8. Yamaha (Japan)
11.1.9. CODA Audio (Germany)
11.1.10. Audix Microphone (US)
11.1.11. Saramonic International (China)
11.1.12. Electro-Voice (US)
11.1.13. Apex Audio (Belgium)
11.1.14. Wharfedale Pro (UK)
11.1.15. Dynaudio (Denmark)
11.1.16. Samson Technologies (US)
11.1.17. Beyerdynamic (Germany)
11.1.18. MIPRO Electronics (Taiwan)
11.1.19. Yorkville Sound (Canada)
11.1.20. QSC, LLC (California)
12 Appendix


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